Art movements
SuprematismShapes in free fall.
A few flat black and red shapes tilt and drift across a white ground, arranged so their weight and rotation carry all the energy.
Make it yoursA good fit for
Science fiction, experimental fiction, and design theory.
A little art direction
There is no picture, so don't ask for one; use the illustration notes to describe the shapes, a large tilted square, a thin diagonal bar, and their tension. Keep the subtitle to a phrase.
The palette
From these words to these book covers
Now make it yours See the style in action.
Open larger viewFiction or poetryThe Glitch
Open larger viewFiction or poetryStatic Bloom
Open larger viewFiction or poetryThe Cartographer of Fog
Open larger viewNonfictionClean Air
Open larger viewNonfictionThe Printmaker's Hand
Real generated examples; your own result will vary. The exact prompt behind each one is further down the page.
Your idea, this style
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The prompts behind these book covers.
Each cover above was generated from the prompt below it, unedited. Copy one as-is or change the details. Your image-making app may interpret the style differently each time.
Fiction or poetry · GPT Image 2.5 SunburstThe GlitchRead the exact prompt
Create a finished front cover for a work of fiction, in a 2:3 portrait aspect ratio. Produce the flat front cover artwork only, without spine, back cover, book mockup, or shelf. COVER TEXT Use the following book information exactly as written. The labels before each colon are for you, not for the cover; print only the text after them. Do not invent extra text, quotes, or awards. Title: The Glitch Author: Kestrel Vale Tagline: A novel of broken signals and second chances Publisher: Twin Peaks Editions ART DIRECTION Interpret the supplied brief in Suprematism style. Visual vocabulary: basic geometric forms — square, rectangle, circle, cross, diagonal bar; shapes float against a white or off-white ground; implied movement through rotation and diagonal placement; forms overlap or cluster to create compositional weight; absolutely no representational imagery. Lettering direction: minimal — a single sans-serif word or numeral if needed; text treated as a geometric form, not decoration. Suggested colors: black, red, white; very occasionally a muted grey or blue-grey. Composition: asymmetric arrangement of floating forms; generous white space. Atmosphere: pure, radical, weightless, intellectual. Keep out of the design: representation of objects, figures, or landscapes, decorative detail, gradient or shadow, artificial yellowing or ageing. Apply the visual language to the supplied brief; do not invent historical affiliations, endorsements, or extra copy. ILLUSTRATION NOTES A row of thin bars, one knocked out of line and rotated, in the lower two thirds. These notes guide the imagery; do not print them as text. Make the title the strongest text element and the author name the second. Keep everything else small. Check spelling and retain the supplied wording. Do not include these instructions, labels, watermarks, or extra slogans in the artwork.
Fiction or poetry · GPT Image 2.5 SunburstStatic BloomRead the exact prompt
Create a finished front cover for a work of fiction, in a 2:3 portrait aspect ratio. Produce the flat front cover artwork only, without spine, back cover, book mockup, or shelf. COVER TEXT Use the following book information exactly as written. The labels before each colon are for you, not for the cover; print only the text after them. Do not invent extra text, quotes, or awards. Title: Static Bloom Author: Orla Vance Tagline: Science fiction from the end of the signal Publisher: Posterage Press ART DIRECTION Interpret the supplied brief in Suprematism style. Visual vocabulary: basic geometric forms — square, rectangle, circle, cross, diagonal bar; shapes float against a white or off-white ground; implied movement through rotation and diagonal placement; forms overlap or cluster to create compositional weight; absolutely no representational imagery. Lettering direction: minimal — a single sans-serif word or numeral if needed; text treated as a geometric form, not decoration. Suggested colors: black, red, white; very occasionally a muted grey or blue-grey. Composition: asymmetric arrangement of floating forms; generous white space. Atmosphere: pure, radical, weightless, intellectual. Keep out of the design: representation of objects, figures, or landscapes, decorative detail, gradient or shadow, artificial yellowing or ageing. Apply the visual language to the supplied brief; do not invent historical affiliations, endorsements, or extra copy. ILLUSTRATION NOTES A large tilted square with a small circle drifting away from it, low on the page. These notes guide the imagery; do not print them as text. Make the title the strongest text element and the author name the second. Keep everything else small. Check spelling and retain the supplied wording. Do not include these instructions, labels, watermarks, or extra slogans in the artwork.
Fiction or poetry · GPT Image 2.5 SunburstThe Cartographer of FogRead the exact prompt
Create a finished front cover for a work of fiction, in a 2:3 portrait aspect ratio. Produce the flat front cover artwork only, without spine, back cover, book mockup, or shelf. COVER TEXT Use the following book information exactly as written. The labels before each colon are for you, not for the cover; print only the text after them. Do not invent extra text, quotes, or awards. Title: The Cartographer of Fog Author: Elias Warrender Tagline: A city that redraws itself every night Publisher: Twin Peaks Editions ART DIRECTION Interpret the supplied brief in Suprematism style. Visual vocabulary: basic geometric forms — square, rectangle, circle, cross, diagonal bar; shapes float against a white or off-white ground; implied movement through rotation and diagonal placement; forms overlap or cluster to create compositional weight; absolutely no representational imagery. Lettering direction: minimal — a single sans-serif word or numeral if needed; text treated as a geometric form, not decoration. Suggested colors: black, red, white; very occasionally a muted grey or blue-grey. Composition: asymmetric arrangement of floating forms; generous white space. Atmosphere: pure, radical, weightless, intellectual. Keep out of the design: representation of objects, figures, or landscapes, decorative detail, gradient or shadow, artificial yellowing or ageing. Apply the visual language to the supplied brief; do not invent historical affiliations, endorsements, or extra copy. ILLUSTRATION NOTES A cluster of small rectangles drifting apart across the lower half, one large square anchoring them. These notes guide the imagery; do not print them as text. Make the title the strongest text element and the author name the second. Keep everything else small. Check spelling and retain the supplied wording. Do not include these instructions, labels, watermarks, or extra slogans in the artwork.
Nonfiction · GPT Image 2.5 SunburstClean AirRead the exact prompt
Create a finished front cover for a nonfiction book, in a 2:3 portrait aspect ratio. Produce the flat front cover artwork only, without spine, back cover, book mockup, or shelf. COVER TEXT Use the following book information exactly as written. The labels before each colon are for you, not for the cover; print only the text after them. Do not invent extra text, quotes, or awards. Title: Clean Air Subtitle: What we breathe and how to change it Author: Dr. Malik Osei ART DIRECTION Interpret the supplied brief in Suprematism style. Visual vocabulary: basic geometric forms — square, rectangle, circle, cross, diagonal bar; shapes float against a white or off-white ground; implied movement through rotation and diagonal placement; forms overlap or cluster to create compositional weight; absolutely no representational imagery. Lettering direction: minimal — a single sans-serif word or numeral if needed; text treated as a geometric form, not decoration. Suggested colors: black, red, white; very occasionally a muted grey or blue-grey. Composition: asymmetric arrangement of floating forms; generous white space. Atmosphere: pure, radical, weightless, intellectual. Keep out of the design: representation of objects, figures, or landscapes, decorative detail, gradient or shadow, artificial yellowing or ageing. Apply the visual language to the supplied brief; do not invent historical affiliations, endorsements, or extra copy. ILLUSTRATION NOTES A single thin diagonal bar crossing a large pale square, nothing else on the page. These notes guide the imagery; do not print them as text. Make the title the strongest text element and the author name the second. Keep everything else small. Check spelling and retain the supplied wording. Do not include these instructions, labels, watermarks, or extra slogans in the artwork.
Nonfiction · GPT Image 2.5 SunburstThe Printmaker's HandRead the exact prompt
Create a finished front cover for a nonfiction book, in a 2:3 portrait aspect ratio. Produce the flat front cover artwork only, without spine, back cover, book mockup, or shelf. COVER TEXT Use the following book information exactly as written. The labels before each colon are for you, not for the cover; print only the text after them. Do not invent extra text, quotes, or awards. Title: The Printmaker's Hand Subtitle: Screenprint, letterpress, and riso for everyone Author: Lena Marsh Publisher: Posterage Press ART DIRECTION Interpret the supplied brief in Suprematism style. Visual vocabulary: basic geometric forms — square, rectangle, circle, cross, diagonal bar; shapes float against a white or off-white ground; implied movement through rotation and diagonal placement; forms overlap or cluster to create compositional weight; absolutely no representational imagery. Lettering direction: minimal — a single sans-serif word or numeral if needed; text treated as a geometric form, not decoration. Suggested colors: black, red, white; very occasionally a muted grey or blue-grey. Composition: asymmetric arrangement of floating forms; generous white space. Atmosphere: pure, radical, weightless, intellectual. Keep out of the design: representation of objects, figures, or landscapes, decorative detail, gradient or shadow, artificial yellowing or ageing. Apply the visual language to the supplied brief; do not invent historical affiliations, endorsements, or extra copy. ILLUSTRATION NOTES Three flat rectangles overlapping at slight rotations, like layered sheets, low center. These notes guide the imagery; do not print them as text. Make the title the strongest text element and the author name the second. Keep everything else small. Check spelling and retain the supplied wording. Do not include these instructions, labels, watermarks, or extra slogans in the artwork.
Prompt version 1 · 5 generated examples · Copy-and-paste guide →
